old school flava with a twist - french producer onra rifles through his crates to rework two 90s rnb tracks upping the tempo with a swing. 12 inch vinyl only.

die beiden rare-groove-klassiker aus sylvia striplins einzigem album give me your love (uno melodic, 1980), produziert von roy ayers, erscheinen erstmals in ihren längeren albumversionen auf 7inch vinyl. offiziell lizensierter und genehmigter re-release. kein bootleg!

she cant love you delivers smooth, soulful vocals and an abundance of attitude, propelled by provocative, cheeky vocals sitting over tough, funky rhythms and retro synth lines. the original mix has bounces with a us garage-like groove via chopped breaks supercharged with a solid kick and tons of nightclub funk. speaking of old school, egyptian lover supplies the electric boogaloo with remix that returns to his electro roots of the 1980s. the vocal sits comfortably in these new shoes, providing a classic-tinged alternative glance at this tune.

mint condition a brand new record label focussed on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! dig in. guy plez pleasant dropped this monstrous slab of proto-tribal techno on his own plezure label way back in 88. the rest, as they say, is history. a stone cold nyc club bomb was dropped. literally. the fact that this record is still played, still talked about, still sought after really says something about it s heady mix of heads down dark corner tribalism, it s screeching, soaring synth lines and it s sheer balls out attitude. this one goes off. a cursory glance shows that plez only did a handful of records, with cant stop definitely being the biggest and most well known and loved (honorary tip of the cap to thing for you here too). the acid rainforest mix featured on this 12inch is a dangerous weapon in any dj s bag, submerging the dance-floor into an otherworldly jungle planet. heavy, heavy stuff. heres the chance to bag yourself a classic slice of nyc dance history, sounding as heavyweight as ever, ready to do damage. fully remastered specially for mint condition, i can t stop is back, as notorious as ever. legitimately re-released with the full involvement of guy plez pleasant for 2017 and remastered from the original dat s specially for mint condition by london s very own curvepusher. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

neue 12” des kanadiers jacques greene, einem aushängeschild der unabhängigen, jungen label-generation, bestehend aus uno, 3024, night slugs und lucky me, deren künstler moderne sounds wie hip hop, r&b, house und techno perfekt fusionieren. sowohl “afterglow” als auch der sommerhit “you can’t deny” erscheinen hier in vinyl-only extended versions, downloadcode inklusive.

after 10 succesful years on the scene and almost 2 years in with the thanq music label, marina karamarko is putting first, long - awaited thanq vinyl release on the market.

intangible records and soundworks presents another classic in the rebound. seven grand housing authority s -i cant t wait- comes around fresh remastered and with terrence parker s new remix of legendary -loves got me high-! highly recommended!

the nicholas ft. nikki-o collaboration continues..

2 track single from gaylettes released by dub store records

in terms of legendary house records, it doesnt get any better than lnrs cant stop the house.

harmonischer indie-dance aus new york zum zuhören und tanzen auf doppel-vinyl.

chicagos peven everett has long had a cult following for his own unique, live take on house music. fusing the finest elements of gospel, soul, funk and disco his tracks have always had something that most other producers lack originality! his music has crossed over many different genre barriers and has been supported by the widest selection of top dj s for many years with his cuts becoming stone cold anthems in clubs across the globe. i cant believe i loved her is one such track, a soulful piece lamenting a love that went wrong, the pain and disappointment are evident in peven s voice and playing but the track remains utterly danceable, a real bomb! on it s original 2002 release the track was a huge club hit, pushing it into classic status. both original mixes are featured here on this legit reissue, 100% sanctioned by king street records, nyc. brought back for 2016, an evergreen deep house classic essential business!

inferno präsentiert zwei früh-1970 er klassiker des sussex-labels back-to-back auf einer 7” vinylsingle: das von van mccoy geschriebene und produzierte “let me make you happy” von billy woods (1970), sowie das superrare “i can’t forget about you” von the decisions (1971), einem northern soul-hit aus dem legendären wigan club.

you can always trust ludovic llorca. once a year he locks himself in his studio and works the magic which results in a local talk release. his previous releases on local talk, the same thing (classic proto housemeets-baggy us garage vibe) the rainbow song (it sounds like an underground summer anthem in waiting) are lt classics and now, ludo returns with a third release, i just can t ep. while some producers struggle with new ideas, trying to re-invent the genre, ludo sticks to what he knows best. strings and chords combined with a thick and squelchy bass is the foundation of the title track while on the flip, dirty stories, is as hypnotic as it is jackin, in fact, both tracks are so irresistible you d start wondering if ludo stole them from a snake charmer.

dulcet tones and late-night romanticism, drugged out explorations into hypnotic rhythms and space. ch002 is the sound of broken synthesizers and the thump of drums, drums in the deep... listeners of this record, prepare to immerse yourself in house music from the far side of the plain. for fans of boards of canada, moderat and many more.

new yorks jkriv returns with his outfit the disco machine to release another big-hitting track on 100% original disco label file under disco. make it hot, which he released on the imprint a couple of years back and then found its way into the sets of top disco jockeys all around the globe including rahaan, horse meat disco, idjut boys and greg wilson - has been called a future disco classic in the making. the new single, cant give it up, again features the amazing vocal talents of adeline michele from escort and picks up the beat right where make it hot left off. and with an infectious blend of top class live instrumentation, real quality vocals and high-end contemporary studio techniques, the result is yet another dance floor weapon

sean dixon returns after appearances on the clone store only series and his own final chapter. the a-side is filled with two versions of the sample heavy house tune i can t stand the rain. on the b-side stockholm based sean delivers his warm tribute to the classic my house. vinyl only.

one of the early big records in the uk that preceded the acid house mania that followed in 1988 and mr. lee s first in a string of releases on trax. adonis recalls bumping into mr. lee in the street: what s up with you, adonis? and i said, oh man, i got a record out. i m doin house music and makin money at it. the next time i saw him, he was sayin , hey man, i got a record out too! i can t forget features a more spoken word delivery in comparison to his later productions where he d retooled and become a rapper (of sorts).

warehouse find

next in line to work with underground imprint getme! is uk artist nicky otter, with gme012: i can t really explain (it), a two track release out on 14th march across vinyl and digital platforms. across the ep, nicky ventures between parameters of ambient electronica and big, bad club tracks. nickys outsider sound find its perfect home on london s getme! label, both artist and label undefinable by genre, shape or sound. a-side i can t really explain (it) is a straight call for the dance floor for those after sounds on a more house and garage tip. originally trained as a drummer, nickys percussive talent shines across this bassy number, complete with creeping melody and layered vocal samples for a track nodding to club edits from a nostalgic time gone by. moving into murkier territories, b-side sketch original slow is journey through the darker strains of electronica, hazy techno feels and euphoric ambient vibes. dreamy melodies and carefully mapped out drum patterns meet here, giving sketch original slow an other-worldly feel.

tim wrights *cant stop* from tns014 reworked by schatrax (aka josh brent), vromm and craig richards.

official re issue of this timeless classic featuring a fantastic update from australias late nite tuff guy - tuff cut records.

rare wiri delivers another killer ep on wax by julian sanza (silver city). 4 original nu disco masterpieces ready to hit the dancefloor.

2015 remaster, 27 #1-singles by the beatles - a classic must-have collectors item. gatefold edition including poster.

a tri-continental modern funk teamup with tug boatmen joining megadon to rerub 2 of his deepest cuts. the a-side is a funky boogie classic with a cylon-esque robotic vocal. b/w “don’t ask” a floor filling modern disco knockout-one of tz’s personal secret weapons! two winners! get this.

reissue of the 1975 album by frank zappa & the mothers of invention on 180 gram vinyl in gatefold sleeve.

as one of the most exciting talents rising out of the uk, there is no better time for dc-10 resident richy ahmed to team up with new yorks seminal house imprint, strictly rhythm, and release * cant you see ep*. opening with a hard-hitting 4/4 beat * cant you see* features a funk-laden walking bassline adding fluidity to the mix, calling on the sound of the 80s and bringing it in to the present day. analog synth sounds are peppered amongst bluntly cut vocal samples, drawing inspiration from the clinical elements of techno, yet retaining the groove that ahmeds work is rapidly becoming synonymous with. the eps second track is ahmeds remix of logics 1990 classic * the warning*. the originals acapella has been repurposed by ahmed, looming over the tracks driving percussive elements. with a low-slung bassline interchanging with sizzling hi-hats, the remix pulls the original away from its blissed-out roots and firmly into the warehouse, providing new meaning to one of the legendary strictly rhythm’s many classic club anthems.

with sounds as smooth as butter and grooves as juicy as jam fillings, joe the baker gill has cooked up two fondant slabs of disco funk right here. theres a sweaty post-punk sheen to cant explain thanks its slaphappy bassline, fuzzy guitars and sultry vocals. mamba gascoine, meanwhile, is a foggier, swampy slice of cosmic, dub-minded funk designed for the darker, heads-down moments. remix-wise the everreliable emperor machine step forward with two epic, 10-minute workouts that explore every possible corner of joes jiggling, party-friendly groove.

mellow mellow right on continue their recent hot run of form, with #7 selling out within a week. they unearth 2 obscure masterpieces from the modern & northern soul vaults, so get those orders in quick as demand for the label is reaching new levels, get them while you can!

having made his label debut for blue shadow , as well as delivering its inaugural podcast, since i met you , fellow israeli dj and producer chaim returns to guy gerber s rumors imprint to present his follow-up ep, cant wait to c u . scheduled for release on june 1st, cant wait to c u caps an impressive year for guy s hybrid label-party concept. launched in the spring of 2014, rumors has quickly become renowned for its discerning approach to the electronic music scene that focuses on providing quality house music built around creativity and exploration - which recently saw seth troxler welcomed to the label for evangelion . maintaining rumors taste for deep and almost spiritual techno, chaim s latest ep not only encompasses the label s intriguing release policy but also demonstrates chaim and guy s long-standing production partnership. having produced 8 remixes together, can t wait to c u follows a similar blueprint to the pairs previous outputs and sees its title track fuse together down-tempo beats with a soulful vocal hook. the aptly named b-side, cosmology , proceeds with an atmospheric and near-mesmeric approach thats followed by closing track escape velocity - rounding off as a sonic and inspired set of tracks that lays the foundations for another exciting year for the rumors collective

tasteful nudes brings frankfurt-based producer janis into the fold for release number seven, you cant see me. a founder of the house is ok label and contributor to mirau and smile for a while, janis brings ravishing melodies and impeccable sound design to this three track ep. playful but pounding, the title cut featuring vocals by eva kruijssen teases listeners into a game of dancefloor hide-and-seek. meanwhile, tender love wraps dancers in fuzzy synth lines and hazy vocals by denise frickenschmidt, as a deep, creeping bass line warms their feet. the rustic majesty of es nestchle, strung with samples recorded in the family cottage, sets hearts aflutter with soaring strings and swelling melodies. the record artwork features an original photograph by chicago artist olivia coran

another west-end sure-shot! this sublime piece of early electronic boogie has always worn its classic badge with a relaxed sense of pride since its release in 1982, perhaps its the languid synthed out groove supplied by studio maestros nick martinelli & david todd or brenda taylors sublime vocals reminding us all that the game of love is always a 2 way street that are to blame?

is the truth out there? with the truth 2008 - 2013 anthology, solaronemusic presents a refine selection of some of the exaltics greatest tracks from 2008-2013, reviewing in 2xlp five years of a highly prolific career. this future classic retrospective gathers together the very best of the jena located artist on labels such like transient force, bunker, clone or last known trajectory just to name a few

music by tim wright
drawings by: craig richards
mastering by: beau thomas
vinyl: 180 gram

the audible doctor has produced records for 50 cent, smoke dza, joell ortiz (slaughterhouse), consequence & john legend, onyx, astro, fredro starr, bumpy knuckles, sadat x & a.g., emc (masta ace, punchline, wordsworth & stricklin), reks, tragedy khadafi, evitan (dres of black sheep & jarobi of a tribe called quest), neek the exotic, homeboy sandman, blacastan, j-live & many more.
pressing on blue colored & multicolor marbled vinyl.

only one music presents format aka orlando voorn! this classic masterpiece from 1991, originally released on esp records, comes re-mastered to you back on vinyl!

long making a name for himself in his native ireland with his wild club nights, james went on work with such cutting-edge producers as roy kerr (london grammar, santigold), the nexus (lana del rey, hurts) and tom neville (ellie goulding, kelis) to craft his sound.

bratha is the studio project of the analogue cops and no mad ronin. their first two eps on their own label bratha have disappeared from the shops in just a couple of week. for their first release on restoration they have been joined by the great jerome sydenham on the title track i cant stay an afterparty anthem smooth and intense, hypnotic and charming, an outstanding balance of hardware power and restrained expertise. the craziest come out, on the other side, has the trademark features of the bratha trio: entrailing, dark and spellbinding and with an heavy pace on the dancefloor

the third in the series of the exotic, wannabe erotic, and intermittent black label series from a certain east london label & promotions team sees the elusive man of the moment jonny rock step up to the plate with a knockout curveball of a slam dunk house trio. dark, brooding, yet straight up party music.

-love can t turn around- is a chicago house anthem! a true classic of the genre. universally recognized and loved, it made history as the very first house record to reach the uk singles charts in 1986 and continues to find new fans today. inspired heavily

remixed from the master tapes by the disco police.

o.v. wrights album -into something- wurde von hi-records qualitativ so hoch eingeschätzt, dass man den künstler mit den besten voraussetzungen für die aufnahmen ausstattete: memphis horns and strings bilden die backing-band, ein gewisser james brown spielt piano, und die besten background-sänger aus den eigenen studios wurden verpflichtet. o.v. wright, der ja zuvor schon mit al green und ann peebles aufgenommen hatte, nutze die gunst der stunde und produzierte dieses kleine soul-juwel und überzeugt zudem mit seinem einzigartigen gesang.

*** vinyl only release! ***
brilliant 90s analog house music in vein of strictly rhythm / maw. limited to 300 numbered copies.

a very limited one-sided 12 inch featuring an extended version of caribous new single *cant do without you*. first track to be taken from the forthcoming album *our love*.

resista returns after a lengthy hiatus with this scorching edits 12 inch perfect for long summer nights. alphonse rozel - the mystery alias of a well-known london-based producer - follows up his excellent 12 inch on london housing trust by digging deep for a couple of us-themed disco edits on resista.

after being stuck on dusty old reels since 1978 here comes an alternative cut of *saturday nights the night*, and then boom, its flipped with the killer mid-tempo cut of *i cant turn you loose*.

i did the this beat is talking to you (club mix) at my parents house in my old kinderzimmer. i forgot to take my blood pressure pills back then so maybe thats the reason it sounds like that.